This is an ongoing post listing out the movies from 2019 that I’ve seen so far, ranked from my preference of them, best down to worst. I’m sure there are a few that I’ve accidentally failed to include on the list. As it gets closer to the end of the year, I’ll work at making sure the list is properly complete.
Toy Story 4 (10)
When they announced they were going to make a fourth Toy Story movie, my first reaction was, “no, please don’t risk harming a perfect trilogy!” Once the first teasers and clips started to role, I held out tentative hope. Thankfully, they totally pulled it off. They found a proper new chapter of the story to tell, and they did it wonderfully. They even added a few great new characters into the franchise in the process. For as great as Forky is, I think Duke Caboom is my favorite new addition (and casting Keanu Reeves in the role is perfect).
Apollo 11 (10)
If you want to step into a time machine to 50 years ago and be a fly on the wall to one of history’s biggest moments, this is the movie for you. Utilizing newly-found 65mm film for a good chunk of the film, it looks amazing. And the approach of not using narration or talking heads and just letting it all play out is a great choice.
Like a number of Quentin Tarantino’s movies, this one seems to be one that you either like or you don’t. Thinking it was so-so doesn’t seem to be a common thing with it. Well, put me in the camp of liking it. It’s certainly my favorite of Tarantino’s movies since Inglorious Basterds. And it’s definitely the way Tarantino would tell a fairy tale…
Yeah, my opinion is biased on this one. I’m a huge DS9 nerd (it’s my favorite Trek series). The movie spent years in gestation, including a couple of years after launching their IndieGogo campaign (for which I was a day-one backer). The end result is a very well made documentary that was very well worth the wait.
They pulled it off. Dean DeBlois can take a bow for guiding the trilogy from a great start through to a worthy conclusion. And the animators got to show off with some incredible footage yet again. And another lavish and great score from John Powell. Overall, a great closing to a wonderful animated trilogy. Easily the best franchise that DreamWorks Animation has produced.
This movie won’t be for everybody (stay away if you’re easily offended), but I enjoyed it much more than I expected to. The cast, particularly the two lead actresses (Kaitlyn Dever and Beanie Feldstein), is wonderful. The story is kinda typical for the genre, but it finds fun ways to subvert expectations in the process. And the direction from Olivia Wilde (in her feature directing debut) is playful and solid.
One of those little low-budget movies that come along every so often, flying under the RADAR, that ends up being a wonderfully pleasant surprise. It’s also one of those movie-going experiences I love where I see a movie knowing almost nothing about it and end up liking it. These are the roles that Shia LaBeouf needs to be seeking out. The rest of the cast is great, too, including the always-great Thomas Haden Church and the legendary Bruce Dern in small-but-nice supporting roles.
Ready Or Not (9)
This is my kinda dark humor horror/thriller movie. I don’t wanna give much away, but I not only enjoyed the warped sense of humor but the way it played both sides of the story. It manages to pull off the laughs, even in the ending, of buying into its own mythology as well as being realistic about it. The production is solid, the script is fun and the cast is having a ball with it all. Plus, why isn’t Henry Czerny in more movies?
A very worthy third entry to a most unexpected of franchises. They are certainly having fun continuing their odd world-building, and clearly setting up the upcoming 2021 release of the fourth film. Fun that Keanu would be in two different movies in the top part of this list for such very different roles.
The first movie was an unexpectedly great surprise. I very much enjoyed The LEGO Batman Movie but didn’t like The LEGO Ninjago Movie. Thankfully, this one is lots of fun and lives up to the original quite well. Chris Pratt gets major props for perfectly channeling Kurt Russell. Oh, and stick around for the fun end credits.
My favorite kind of moviegoing experience. Took a look at the listings before I headed home from work and noticed one on the list I’d never heard of that had a showtime that lined up nicely. Took a look at the poster, saw an excellent actor like Mads Mikkelsen as the star, glanced at the 88% on the tomato meter and read no other description or comment. Had never heard of the movie, and saw it knowing nothing about it other than the title, the star, the poster and the tomato meter percentage. And I very much enjoyed it.
The Cold Blue (9)
A very nice restoration effort and a fresh presentation that works well. It features remarkably good interviews from the nine remaining WWII 8th Air Force members, all in their 90s, and puts you in their daring shoes for the crazy things they experienced.
Very easily the best DC movie in a long time. Wonder Woman is the only one that comes close. The plot structure is solid, characters are good, action scenes are well done and it drops tons of comedy moments, nearly all of which actually work. The always-fun Zach Levi gets to add another charming character to his resume.
It’s certainly over the top a bit too often (particularly the last 10 minutes), but it’s very well produced and performed, and it doesn’t feel so stupid as to not work. At the very least, it is exactly what it sets out to be and goes all in to be so.
An unusual documentary. It’s hard to describe the style. It’s a proper documentary with interviews and such, but they use actors like Baldwin and others to do reenactments but it also features a meta level of sorts with the actors being interviewed about the characters in behind-the-scene style. It’s unique and oddly works.
Long Shot (8)
Sometimes a silly romcom idea gets elevated by inventive and fun casting that somehow works. Such is the case of Seth Rogen and Charlize Theron in this goofball story.
While I may not have fallen for the plot twist(s) in this one (unlike the previous Spider-Man movie, which pulled off a great plot twist), I definitely had fun watching this one. That’s thanks largely to the cast and the odd charm in the tone of the movie.
Captain Marvel (8)
An entry in the Marvel cinematic universe that works primarily due to the trademark light Marvel tone and Sam Jackson’s presence. It may not be a top-of-the-list entry for the unstoppable Marvel franchise, but it’s certainly plenty of fun.
I generally liked the first Happy Death Day, but not quite as much as the second. This one is a bit too silly and over the top at times, but it has a lot of fun. It’s my favorite kind of horror movie – one that is having fun with the material and also going for humor.
Good Boys (7)
This one was a bit better than I expected. Yeah, it plays the whole “shock value comedy” thing too much. But even if you ignore all of that, it’s a pretty fun and cute movie with a good cast and some pretty funny setups.
This one is better than one should probably expect from a franchise that had already kinda overstayed its welcome, particularly after so many years. Part of that is definitely thanks to the cast, the highlight of which is Kumail Nanjiani in a fun little role (so to speak).
I know very little about Pokemon, yet I still had fun watching this one. Yeah, sure, much of that is surely thanks to the fun of Ryan Reynolds. It’s got some good action material and is playful enough in its tone to work pretty well.
Despite them trying to confuse everybody with the naming of the Shaft movies, they are still pulling them off. This one goes after the r-rated side of things and fully embraces the Samuel L. Jacksonality of it all. It is kinda fun to do the three-generation thing.
Cold Pursuit (7)
The ending could definitely use a bit of work, but otherwise I found this one rather enjoyable. It has a subdued and odd sense of humor (a good thing), and of course, it also has Liam Neeson…
Not a fantastic movie, but it’s entertaining and engaging enough. At least Cameron finally got it made, after decades of development. Apparently got too busy to direct it himself, but it still used his script and production. Not sure that it’ll manage to get the sequel it clearly wants to happen, but it does set it up with enough potential to have hopes on setting up a great movie.
The Lion King (7)
So this one was unexpected for me. It managed to reverse the aspects I liked of the original. The lion characters didn’t work much for me in this “photo real” remake (thanks partially to the limited animation possibilities compared to the original), but the real stars of this one are Timon & Pumba, two characters I didn’t like in the original. Those two, particularly Pumba (played perfectly by Seth Rogen), are surprisingly fun and entertaining. Plus, we get a chance for Hans Zimmer to revisit his fun music score (though I prefer the work on the original). The one new song, “Spirit”, is absolutely awful. Thankfully, that scene in the film is kinda short.
The central plot setup is beyond silly and ridiculous if you give it even the slightest bit of logical thought, but it’s well-executed and fun, nonetheless. This may not be as good as Get Out, but it’s a solid enough sophomore directing effort from Jordan Peele. The cast is also clearly having a field day with it all.
While it suffers from all manner of plot contrivances and conveniences, and for the most part played out as I expected, I liked the pace and tone of this one enough for it to be better than the third Avengers film, barely. Certainly not a great movie, or even one I’ll likely ever watch again, but it does manage to break the downward trend of the franchise enough for me. Bonus points for the fun bit of Cap revisiting his elevator scene from Civil War, using the genius “Hail Hydra” solution. Unfortunately, this movie also has an endless supply of plot contrivances (having both time travel and the silly infinity stones makes pretty much everything silly and arbitrary).
This movie had lots of potential. The decent Split ended with a great reveal of a franchise and opened up a sudden realm of possibilities to set up this movie. Sadly, despite pulling off some of the material, the movie also drops the ball on too much as well. I’d like to see M. Night Shyamalan claw his way back into making good movies, but unfortunately, this one falls short, yet again.
I want to like this one. I really do. But I can’t. Jaoquin Phoenix is certainly giving it his all. And Warner Brothers is finally trying to break from the Snyder mold, which I really want to support, but too much of this movie either doesn’t work or is too predictable. Worse still, it removes the Joker’s edge, making him simply pathetic. And possibly more problematic, it’s setting up the Waynes as thuggish, which paints the franchise into a bit of a corner. I don’t know, for the bits that do work, there’s just too much that doesn’t. As a final indicator, I don’t figure I’ll ever bother watching this one again.
This will surely be one of the biggest movie disappointment of the year. The trailers were great. The reason? They contain all the good stuff from the movie. There are moments of greatness in this movie, and nearly all of them are in the trailers. When the VFX team and Bear McCreary truly cut loose for a moment, you suddenly realize what COULD have been a good movie. But then that moment is over and you’re back to the rest of the movie. If I were feeling charitable, I’d say the script on this thing is at best generic. I’m not feeling charitable, though. It’s an awful script filled with awful, or at best generic, characters. Even worse, the roles are filled by solid actors. Vera Farmiga gets saddled with an excruciatingly terrible role. The one character who gets to speak the real truth of this script is a random soldier in the back seat of a vehicle who states “with you two as parents, I would run away, too.” While there are moments of amazing VFX work here and there in the movie, the visual design of the movie overall is terrible. It’s a murky, generic, dark, overly-weathered mess. 2014’s Godzilla takes place on a realistic Earth at daytime. This movie takes place in a murky CGI realm entirely after dark. The 2014 movie wasn’t a great movie, but sadly it is a better movie than this one. I had high hopes that Warner & Legendary could pull off a good franchise with the Monarch monster movie franchise they’re trying to put together. While I absolutely loved Kong: Skull Island, it’s looking like it may be the exception rather than the rule. At least we get a fun score from Bear McCreary that enjoys bringing back the old character themes from the Toho films.
Wow, that basically answers the question, “what would it be like to make the darkest Taken movie possible?” The Rambo franchise has been kinda all over the map in quality over the decades. This is probably the worst of the franchise, contending for that status with the third film. Heck, I’m one who actually liked the fourth film. At any rate, at least it was good to hear Brian Tyler roll out Jerry Goldsmith’s “It’s A Long Road” thematic material from the first 3 films again (as he also did at the end of the fourth).
Ad Astra (2)
What happens when you combine a moderately decent production with a good cast (that appears to really be trying) and an absolutely awful script that is completely idiotic from start to finish? This movie. That’s what happens. Just read Bill Hunt’s thoughts on the movie. I agree with what he said. If this were a goofy script from a cartoon from 1973 and produced by Filmation, maybe it would work in some stupid way. If it’s an endlessly-ponderous live-action movie I’m supposed to take even slightly seriously, you failed. You 110% failed.
Child’s Play (1)
Aaaaaak. It’s been years since I’ve actively disliked a movie as much as this one. An absolutely terrible movie populated by terrible characters performing a stupid script. Not even a couple of fun music cues from Bear McCreary could help save this abject failure. I don’t think I’ve seen all of the Child’s Play movies, but none of them were as bad as this steaming pile of crap. A rare 1 out of 10 from me.