The Third Dimension
Spent the last few hours watching the two new 3D Blu-Ray releases that came out today. First up was Journey To The Center Of The Earth, which is a movie I consider more fun that most people likely do. It has little basis in reality, but it’s well made and quite a lot of adventure fun. Since I now have a nice, new HD front projection system, I was interested to see how well a Blu-Ray release of a 3D film would be on the projector (and 110″ horizontal screen which should give it enough size to help the 3D). So, I popped in the Journey BD, put on the cardboard 3D anaglyph glasses that came with it (4 pairs are included), turned down all the lights and sat in the prime viewing spot. Having seen the film a couple times in RealD digital projection theatrically this summer, I was prepared for this anaglyph presentation to pail in comparison. The RealD technology used theatrically is really quite impressive. But as I watched it, I was moderately impressed with the BD presentation. That is to say that the 3D aspects of it come through pretty well. Of course, it suffers quite a bit from the color problems that go hand in hand with anaglyph 3D presentation (which use two alternating color lenses to filter each eye - in other words, the same stuff they’ve been using since the 50’s). The 3D in this form works with varying degrees of success, but I kinda liked it. At the very least, it’s good that they include both the 2D and 3D versions on the disc. 3D may not be the format I’ll watch it in most of the time, but it’s kinda cool to watch it in 3D for the gimmick. So after the moderately successful experience of watching the Journey BD, I then moved on to The Polar Express 3D BD that was also released today. Rather than opening another pack of glasses, I put on the ones I was using for Journey. As soon as the movie started, I was shocked to find that it was in no way right. I took off the glasses and looked at the ones included with the Polar Express disc, and they were quite different. Not only did the colors look reversed, but they were actually different colors. So, I unpacked the Polar Express glasses and put on a pair. I watched through some of my favorite sequences in Polar Express (a great movie), but was FAR less impressed with the 3D experience. After a brief amount of research, it turns out that the Polar Express glasses are more traditional red/blue anaglyph glasses, and they resulted in the terrible quality 3D viewing experience I was expecting before watching the 2 discs today. Seems that they used a different set of colors for the glasses included with Journey, and I was rather startled at the difference it makes. For one thing, the magenta color isn’t nearly as opaque as the red used in the older style, which seems to make a world of difference in the 3D ghosting issues I’d been used to with this sort of thing. With both lenses able to be a lighter color shade (green on the other side, I believe - and they are reversed from the older ones where red was over the left eye), the 3D doesn’t seem to do that 3D ghosting much at all. Granted, it still has the color troubles with bright colors in the background or foreground taking on horrible shades of the lenses. However, objects in the middle of field have a pretty good color fidelity, and remarkably good skin tones. Of course, it makes me sad that Polar Express wasn’t done with the same combination as Journey, because the Polar Express disc is darn near unwatchable in it’s 3D form. At least I don’t think I’d wanna suffer through the presentation quality for the entire run of the film. I did, on the other hand, watch the entirety of Journey. With that one, you get pretty used to the coloration issues (though it is jarring in some scenes still). I know they are hard at work in coming up with home 3D display technology, but it’s still pretty expensive and a ways off. Even with the improved technique used with Journey, I don’t see this becoming much of a standard thing in the home video market. I guess the theaters have found their niche for the next few years. One thing is for darned sure, I can’t wait to see James Cameron’s upcoming Avatar. Cameron is looking to do his usual thing of pushing the movie industry another 10 years into the future with one of his films, and Avatar will be the big 3D push of the decade. And hey, the film score geek in me can’t wait for a huge budget, sci-fi film directed by Cameron with James Horner as the composer.
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