I sit here stupified, having finished the season finale of Battlestar some fifteen minutes ago. If you have not yet watched this season finale episode, do NOT continue reading. Seriously, find something else to read. OK, still with me? This’ll be a fairly rough write-up, as I’m just gonna type without really proofing this. Since it’s been a short amount of time since I finished the episode, my mind is still reeling. I’ll say this without hesitation - this show continues to bank in directions I just don’t see coming. It refuses to sit still, constantly veering into new directions, never resting in a place long enough to catch its breath (or to put it in Viper terms, it barely maintains enough smash to maintain its turn - yeah, I’m a certified geek). There are rampant rumors flying around that next season, number 4, will be the last. Ron Moore has said it is certainly being considered. Given how aggressive the show is, it is clear that they can’t take a more traditional genre approach of sustained life or status quo. One of the key descriptions I would use about the writing on this series is “risk taking.” Moore has stated in the past that Battlestar is in most every way the antithesis of Trek (with only slight comparisons possible to DS9, which Moore had a good deal of involvement with), and he continues to prove that statement clear. It’s very much an improved narrative, and most of the time great things result from that fact. This finale makes dramatic and narrative leaps as wild as season 2’s finale. However, this time they go about it in a completely different way. Season 2’s finale was all about time, futility and separation. This season’s finale is about cutting to the core framework of the show, putting in some heavy plot twists and looking forward to hope.
And, lest you think I’m ignoring one of the single coolest moments in the series run - THE RETURN OF STARBUCK! I’d like to congratulate Moore & Eick’s teams. In a world where spoilers are almost impossible to stop, and I’m sure this one had leaked to somewhere at some point (at least in the leadup to this last episode or two), their achievement in media blackout for Starbuck’s return was glorious. It got me by surprise. For those like me who listen each week to Ron Moore’s always-fantastic podcast commentaries, he was even laying the groundwork for subversion on this one. He did a perfect little run on when he had to tell Katie Sackhoff that they were killing her character, and how he had to really sell it to her, to Eddie Almos (the surrogate father of the acting troupe), etc, etc, etc. I can just see the grin on her face when he was telling her what they REALLY had in mind. Sackhoff must have been giddy beyond all belief as this seems like just the kind of thing she would totally love (and it probably killed her to keep it a secret). So, Moore and team Galactica effectively sell her death to mean something that we’ll find out more on later down the road. They do this by giving her character some peace with her past, at long last - again, a move TOTALLY in line with actually killing her off, which helped sell it to the audience. They proceed to take her name out of the credits (that’s a harder and weirder thing to accomplish, particularly with such secrecy involved, than one might think). I will admit that the ONE thing they didn’t do that kept a sense of doubt in my mind was by not showing any kind of funeral scene for her (they could have at least played it briefly in montage). They’ve done it for a number of other characters, and I was sure that we’d have seen one for Starbuck for sure. I thought that perhaps they’d touch on it in a flashback, which would be an expected move for this show, which is kinda why I let it slide. Then sure enough, after JUST enough time had passed for me to adjust to the move, they reveal their hand. When Lee went off to investigate the strange DRADIS reading, just as he first got buzzed by her viper, it started to dawn on me what, or who, he was chasing. As soon as it was revealed to be Starbuck, I let out a cheer (we’ll ignore the coincidences of Lee being the one to discover Kara for dramatic purposes).
And let’s get back to the trial of Baltar, which they pulled off far better than I was expecting (much better than the election subplot at the end of last season). Lee’s speech on the stand was pitch perfect. That speech was just so right - addressing a GREAT many things from the previous seasons on the show, as well as why and how all of that relates to Gaius Baltar, with such spot-on overtones to Admiral Adama. It was beautifully written and performed. It’s in moments like that where Bill & Lee Adama connect at such a profound level, and it is done entirely in looks and reactions. Eddie Olmos nailed those scenes with perfect subtlety. I also loved the scene between him and Roslin after. Earlier in the series, such a moment would have had those two characters holding guns at each others heads - but now it’s an entirely different vibe - a strong disagreement, but one with understanding. But, this being the season finale, one can’t catch their breath in a scene like that. The other big item at hand, of course, is the reveal (or so we think) of 4 of the final 5 Cylons (and who is the 5th? hmmm). This plot element will probably have fans in a bigger divide than any other. I kind of like it for probably the same reasons that those opposed will hate it - the fact that these happened to be central characters, and the turn of events to get them as that were too random. I like it because of their strange rise to power - particularly the fact that Tigh, Tyrol and Anders were the 3 man leadership team of the resistance on New Caprica. Tori is a slightly weirder sell, but her sudden rise to power also tracks, and they’ve been laying the groundwork for her character for a bit. And her sudden attraction to Sam makes things kinda interesting, too.
Ultimately, there’s one thing that matters more than most any other for this season finale - did it keep me engaged? Oh yeah. This was a rollercoaster. This one had the adrenaline going, big time. As the music rolled (more on that in a bit) with the vipers launching, there was a chill running up my spine. The reveal of Starbuck was that final bit of icing on the cake. By the time Ron Moore & David Eick’s names appeared at the end after that “Contact-like” pull back then push in, I was totally jazzed. This episode was absolultely fantastic. While it leaves me with far more questions than season 2’s finale did, I’m pretty sure I outright loved it more without doubting how much I liked it. It took time to adjust to that time jump last season and it gave me pause as I watched it the first time. I really enjoyed it on my second and third viewings. This season’s finale I was totally into as it happened. It was getting the “oh yeah!” response vs the “what just happend?” response. And once they start laying in so many reveals and strange new directions for the narrative they toss in a surreal appearance by the Dylan/Hendrix song “All Along The Watchtower” as the music our newly revealed Cylons keep hearing. What a bizarro choice to make for such a reveal. It’s cool, as I like the song and the new cover of it for the show works fabulously as a strange score cue for the final moments of the season - and a very cool underpinning for Starbuck’s big reveal. I anxiously look forward to next season’s full 22 episode run, to include the fantastic-sounding feature length cable/DVD entry depicting Pegasus’ escape from the attack on the colonies (I can only assume they got the excellent Michelle Forbes back for that). To Ron Moore, David Eick, the wonderful cast, writers and all the other master craftsmen working on Battlestar Galactica: congratulations on a wonderful season finale. Absolutely loved it. And I now cue it up to watch again…
OK, one more note added on after rewatching the episode again. I love this new arrangement of All Along The Watchtower that Bear McCreary pulled off. Really, it’s a wild reworking of the song, and it works in such a strange way that it’s almost impossible to define. McCreary has a great write-up on working on the song at his blog on his site. He also mentions on the main page that the soundtrack CD is due this summer for season 3. Can’t wait. Oh, and as always, Gary Hutzel and his VFX teams deserve tons more praise. Truly stunning work, guys.