The other night, the president gave a speech. He said, "children are our most prescious natural resource". I thought, "let's hope it never comes to that".
Emo Philips
31st August 2006

Star Trek: The New Original Series

Insider - Star Trek purists, take a deep breath! On Sept. 16, the iconic ‘60s series will return to syndication for the first time since 1990, but with a startling difference: All 79 episodes are being digitally remastered with computer-generated effects not possible when Gene Roddenberry created the show 40 years ago. The news could cause Roddenberry loyalists to have a collective cow, but the longtime Trek staffers in charge of the makeover say they’re honoring the late maestro’s vision, not changing it.

Doing stuff like this is a slipery slope, to be sure. However, given the circumstances and options for the Original Series to date, I’m actually quite happy they are doing this. For starters, the Original Series has already had some very nice quality mastered DVD releases to date, preserving the original history - at quality levels better than they’d had before. This isn’t like George Lucas wiping his original trilogy from history, at least with any sense of modern quality. This project has been in the rumor vinelines for a little while, but the big surprise is that we’ll be seeing the first episodes of these withing the next couple weeks. I was NOT expecting to see finished product that fast. Ultimately, nothing makes me happier about this whole thing than knowing that Mike & Denise Okuda are overseeing it. They are the undisputed masters of all information Trek related, having written more encyclopedic and trivia information about Trek than most likely anyone else. Mike is one of the single most reliable Trek authorities that exists, so this project being under his supervision should be done with taste. And, knowing the reputation of this bunch of people, it surely means that they have nice, high-def masters of the original episodes, in untouched form as well (if for no other reason than for them to work with as source material). If/when they get around to releasing the episodes in HD form on whatever HD media they choose to, I’d be thrilled to have them put both the new updated versions as well as the high-def mastered originals on the releases. That would be truly wonderful.

Here’s a link to the StarTrek.com article.

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31st August 2006

Galactica Season 3 Wallpaper

In case anyone else wants to use it, I cropped one of the nice new Galactica season 3 promo shots for use on widescreen monitors (it’s 1920×1200). And hey, if you’re a fan of Galacitca (new or old - I’m a huge fan of both) and haven’t checked out the excellent work of all the folks over at the Battlestar Wiki project, you should spend some time on the site. It is in a constant state of improvement, and is rapidly becoming THE source of Galactica related info.

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29th August 2006

Bear McCreary on the 3rd Battlestar Episode

Official Bear McCreary Site - I am just finishing up the first two-hour episode and moving on to the following one. That episode actually turned out so epic that they recently split it into two shows. The second half of that split contains one of the most exhilarating action sequences I’ve seen… like, ever. I jumped out of my chair during the spotting session! You’re all in for a treat in October…

Composer Bear McCreary does fantastic work scoring the episodes of Battlestar Galactica. I love how frequently the Battlestar folks have to split episodes into two parts or get permission to air them long (or just cut them down and put the longer version on DVD, like the episode Pegasus will be on the upcoming season 2.5 DVD release). Hearing McCreary make a comment like the one above makes me drool with anticipation, particularly given some of the sequences that have even just been on this series previously. I have little doubt that the show can pull off a sequence as “exhilarating” as he mentions.

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29th August 2006

Prison Break & Vanished Episode 2

So, just finished watching the second episodes of Prison Break’s second season and Vanished’s first. Both were improvements over their season (and series) openers. Prison Break seems to be falling into a rhythm that was very much missing in the season opener, and it looks like they are going to follow through on staying with what happened in the closing of the previous episode. Vanished sparked a definite improvement over the less-than-perfect pilot. It’s still not great, but it’s surely and improvement. Mimi Leder follows up on the pilot by directing this episode as well. I’ll be curious to see how many she directs. I do have to wonder one thing, though. Why is it in these serialized dramas they have to make the 18 year old daughter character a complete and total frickin’ idiot (I’m reminded of Elisha Cuthbert’s character during the first season of 24)? They’re not doing too much better with the son. Though I think that plot might go in a radically different direction than they are leading us to believe. I’m gonna predict that Penelope Ann Miller’s ex-wife character will turn out to be a good guy, hiding from the senator and whatever underhanded thing he’s involved in (which is surely tied to the kidnapping, and the reason the ex was meeting with the current kidnapped wife). That’s my prediction, anyway. And hey, great to see Penelope Ann Miller getting some work. She’s an undervalued actress who needs to get some more high profile roles. Here’s hoping these two shows can continue to improve. They’ve got the advantage of a jump start on the other fall shows (how odd to get a jump start on anything when you are airing on Fox).

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29th August 2006

The Illusionist

This is the lesser known of the “magic thrillers” to be released this year. The higher profile one is October’s The Prestige, directed by Christopher Nolan and starring a big name cast featuring the likes of Hugh Jackman, Michael Caine, Christian Bale and Scarlett Johansson. The Illusionist was independently produced, and is surely the lower profile of the two. Still, it is no slouch in the casting department, featuring the always-wonderful Edward Norton in the lead role. Along for the ride are other excellent cast members, from Paul Giamatti to Jessica Biel to Rufus Sewell (playing yet another aristocratic slimeball to perfection). Personally, I had a good amount of this film figured out well before they revealed things. And I guess my reasons for liking it so much is that I still had a wonderful time watching the movie, even though I was proved out as right by the end of the film. One of the strengths of the production is the quality in cinematography and effects. It’s both practical and stylistic at the same time. The visual nature of the film is lush and engaging - not to mention very cinematic, choosing to play many parts through visual methods rather than just dialog. The visual quality of the filming is adapted well for the period setting, and the visual effects are minimal but striking. Plus there’s a wonderful sense of pacing and intelligence to the film. Composer Philip Glass was a natural choice for scoring the film, with his minimalist approach and sense of style and pacing. And I like the fact that they don’t completely spell out everything or answer all the mysteries raised during the film. It’s about magic, and it leaves much to the imagination. Overall, I really enjoyed this movie. It’s also one I would recommend to most anyone. It’s PG-13, but very mildly so. If you can tolerate one mild love scene (that stylistically shot to not be particularly explicit), then this movie is pretty much inoffensive to most any audience.

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29th August 2006

Snakes On A Plane

Here’s a movie that is exactly what it is supposed to be. An example of truth in advertising. This movie is designed from the ground up to be a total popcorn-munching summer action flick. It’s completely far fetched, and that’s the way we want it. It plays into the “disaster-on-a-plane” genre, but does it with ample good humor and completely goofball antics. It’s one of those movies that manages to wink at the audience most of the way through, and get away with it. Then there’s things like casting Sam Jackson in the lead, which is perfect beyond words. When a movie like this has a light, bouncy opening title montage, you know they are going for their tounge-in-cheek best effort. Having said all that, this is still a slickly produced action movie as well. The CG animation on the snakes is meant to be slightly more cartoonish in nature than reality, but still have a real (if intentionally overly slick) feel to it. From beginning to end, it’s just one of those movies that manages to pull off a delicate balance between action/danger movie and comedic romp. It’s just plain fun. It’s nice to be able to kick back and watch something that doesn’t take itself seriously, right up to doing a music video over the end credits.

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29th August 2006

Accepted

I was definitely looking forward to this film, which gave Justin Long a much-needed starring role. I’m a big fan of Long, who is a gifted comedy actor. I’m not going to hold the arrogant, condescending and annoying Apple commercials he does against him (though I very well should). One of the strongest things this movie has going for it is the concept itself. Actually inventing a college as a failure-smokescreen is a brilliant concept. The writers fail almost completely following through on the idea beyond the core concepts. For the first two acts of the film, the idea is toyed with in fun and inventive ways. But then it all comes crashing down hard, falling into just about every genre trapping I could think of. This movie needed an atypical and probably subversive ending. What we get is stereotypical drek pulled from just about every college comedy ever made. The last reel REALLY hurts this movie, which up until that point had so much potential. As I figured, it’s the cast that is the highlight, particularly Justin Long. His easy going and rather sardonic approach to the character works perfectly, particularly when verbally sparring with the overly one-dimensional fraternity jerks. His fellow friends are played by a fun and inventive cast selection. Heck, even Lewis Black is for the most part tolerable, though he’s thankfully only presented in small doses (I normally can’t stand Lewis Black - he’s the one part of The Daily Show I immediately skip). The movie was a bit of a disappointment, but it’s still got plenty of funny stuff - and certainly makes plenty of excellent points about the simple stupidities of college life. If only it had writers with more inventive qualities and talent. It almost hurts to see a fun movie like this fall apart in the home stretch.

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29th August 2006

The Dilbert Blog

The Dilbert Blog - So the bottom line is that America is the father, the Islamic countries in the Middle East are the mother, and Israel is the offspring conceived by rape.

Some of Scott Adams’ best material happens when it doesn’t have to go through an editor. Such is the case on his Dilbert Blog. Most of the posts he makes to the blog are great. This one struck me as particularly funny and true. As he mentions the ability to be self-critical, I have little doubt as to which member of the quoted equation above would take more offense.

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26th August 2006

Psych

With all my recent reviews of upcoming fall shows, I want to particularly single out one new show that has already finished half of its first season run: USA’s comedy/mystery show Psych. It’s basically the new companion show to USA’s brilliant show Monk, and it’s a perfect companion. Like Monk, it does an 8 episode run during the summer then does the later 8 starting again in January. It’s basically half season runs. Well, Monk & Psych just finished their 8th and last episode of thier summer run last night. Over the last week or so I’ve been watching all 8 of Psych’s episodes, and have completely loved the show. It’s definitely one of the funniest shows on the air, and I highly recommend it. If tradition holds, USA will be rerunning the episodes frequently over the next few months before the second half of the season starts back up in January (and typically, they’ll do a marathon or to before that startup). I highly recommend checking out this fun and hilarious show.

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24th August 2006

Commodore Brand Reappears On High-end PCs

The Inquirer - If you remember Commodore 64 that means you are not a teenager any more. We certainly spent a piece of our life playing with that machine in the dawn of PC gaming. Now, the Commodore brand sits on a range of high-end PCs equipped with Nvidia’s 7950 GX2 card and an AMD FX 60. Commodore is now a Dutch company and is testing the waters to see is there a market for such a PC with this legendary brand on it.

Cool. Trippy to see that logo and name on a modern machine? What’s next, the return of V-Tech’s “Laser” brand? How about some modern Heath Kits? Better yet, some modern Sinclair?

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24th August 2006

ANOTHER Idiotic HD Decision

APC Magazine - Microsoft revealed today that no 32-bit versions of Windows Vista will be able to play back “next generation high definition protected content” (translation – studio-released BluRay and HD-DVD movies).

You know, everybody involved in any aspect of high definition media is, by simple deduction, retarded. I’m telling you, with every decision they are presented, every last one of them says to themselves, “how could we make this most frustrating for the consumer we are trying to sell this to?” Pointless format war? Check. Idiotic encryption requirements? Check. Unprepared and dimwitted format launches? Check. Every possible compatability and playback limitation we can possible think of? Check. Speaking as somebody who has a 1080p capable monitor that’s less than a year old that can’t do HDCP, I truly don’t care what these freakin’ maroons at the big companies do to screw up the world of HD anymore. I’m just gonna rely on hackers are large to correct the entire industry. If there was EVER a technology that begged and pleaded to be hacked every which way possible from the day it was conceived, it’s the HD formats of HD-DVD and Blu-Ray. Add to that the fact that the satellite and cable companies still can’t get their HD act together - not to mention the DVR fiascos of late - and one gets the notion that nobody in the industry has any clue anymore of how to advance technology. The more litigious the industry gets, the more inept and useless it becomes. I’m a technology geek. I owned a DVD player on the day it launched in the initial 7 test cities (one of which was Chicago, near which I live), and have been a DVD fan ever since. It wasn’t a perfect launch, but it was FAR, *FAR* better handled than this borked HD mess. I have yet to get an HD satellite receiver (or go HD cable - either of which are an option at this point as far as I’m concerned, as I’ll go with whoever gets it right first). I’m not touching HD-DVD or Blu-Ray until one of them gets their act together - and that just isn’t gonna happen. It’s gonna take some resourceful hackers to make that crap work right as far as I’m concerned. Frankly, nothing would make me happier than to see both HD-DVD and Blu-Ray crash and burn in horrible, fiery deaths. At some point, consumers must revolt against the paranoia of the media industries. The digital music industry is bad enough (for similar and completely different reasons), but the movie studios are even worse.

Then there’s Microsoft’s x64 build of Vista - which is as frustrating as the x64 build of Windows XP. The 32 bit version of Vista is pretty good in its current form. I had a recent build of the 32 bit Vista on my fancy machine at the house recently for a week or so. While it still had enough quirks to keep me from using it permanently, it was close. Before I used that 32-bit one, I had put the x64 bit version on the machine. It was taken of in a matter of hours. Compatibility, in broad terms, isn’t too bad with the x64 version, but in the details of quirks and compatibilities it simply sucks. While I agree with many of the choices MS has made in locking down the x64 build of Vista - like keeping companies like Symantec out of the kernel (and even MS products are locked out of the kernel level) - their completely paranoid approach to the OS makes a great many things frustrating to no end. This latest announcement of 32 bit Vista not supporting stuff like AACS (which is, itself, the spawn of Satan) is yet another point of frustration. I’ve got a kick-butt 64-bit Athlon 2X rig at the house, and I run the 32-bit build of XP on it, not the x64 because the x64 is just too frustrating to deal with for all its compatibility quirks. The x64 of Vista I messed with had all the exact same quirks, then some. Perhaps it’ll be better by the time Vista is finalized, but I doubt it’ll be by much. I’m telling you, the Vista launch is going to be a PAINFUL launch for MS. For all the cool stuff they are doing with it, there are just as many stupid and frustrating things as well. I can’t wait to hear all the users I know whine and complain instantly (as did I) about Vista’s User Access Control component. Took me all of 10 minutes to disable it. I don’t care what MS says about not disabling it. I would consider the computer too frustrating to even use with it left on. Yes, it’s that bad. It’s like a paranoid software firewall on crystal meth.

And here’s the kicker. I already rely on the hackers at large for my HD content. I’ll freely admit that I download most of the TV I watch. I have an active Dish Network subscription, with an SD DVR receiver. I watch nearly everything from downloaded, high res (typically DivX HR spec) encoded versions. As somebody who has historically archived what he watches (you wouldn’t have believed the VHS collection of TV stuff I used to have - or my current TV on DVD collection), there just aren’t any good choices out there for doing so with HD without turning to those who rip and post them online. HD is, in every possible way, designed proactively and aggressively against true TV addicts. The studios wanna think I’m robbing them of income by downloading all this stuff? I defy one of them to look at the room dedicated to all my CD’s and DVD’s and still manage to tell me that I’m robbing them of income. There are few who support them as much. And even I have turned to downloading things from online sources - because that is my only choice in the matter at this time.

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23rd August 2006

Ant Jaws Break Speed Record, Propel Insects Into Air

UC Berkeley News - A species of ant native to Central and South America is entering the annals of extreme animal movement, boasting jaws arguably more impressive than such noteworthy contenders as the great white shark and the spotted hyena.

I can’t believe what I’m watching. This is INSANE. These ants have no business existing in my universe. That’s just unreal. The link to the videos of the ants in action is a must-see. That bottom one, with the Evil Knievel ant jumping all the others, is stupifying. They could take some lessons from cats about landing on their feet.

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23rd August 2006

Power! I Need More Power!

Engadget - Ok, so it’s really more of a hotplate than a Barbeque, but for sheer excessiveness and USB-ness this DIY project from Kaizo Aho Ichidai cannot be denied. After not surprisingly failing to get enough juice from a single 500mw USB port to fry an egg, Kaizo went all out and dropped six USB expansion cards into his PC, giving him a ridiculous total of 30 USB ports, all of which got re-wired to a modified USB cup warmer.

Eeeeeeek! That’s insane. What lunatic would go through all that? Rather than using it for power, that machine should be used for transfer speed. 14,400 MB/s port speed…

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23rd August 2006

Police Crack Down On Striptease Funerals…

Reuters.com - Striptease send-offs at funerals may become a thing of the past in east China after five people were arrested for organizing the intimate farewells, state media reported on Wednesday.

Well then, let my wishes be known thusly - to have a bunch of people attending my funeral…

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21st August 2006

Prison Break 2.01

Just finished watching the season 2 kick-off episode of Prison Break. I was completely and thoroughly underwhelmed. The semi-surprise moment near the end was interesting, and I’m curious to see if they are serious about it or not (I won’t spoil what it is). Hopefully the show will find its feet again. It’s awesome to have William Fichtner in the mix now. Some shows, particularly concept shows, have difficulty finding their way when their second season first kicks off. This is probably no different. I know these guys already had the first handful of seasons planned out, so I’m guessing they’ll get their game back on soon enough. Still, a rather lackluster season opener.

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20th August 2006

Patricia Arquette Purposely Kept The Pounds On For ‘Medium’

Starpulse News Blog - Patricia Arquette was outraged when she was asked to lose her baby weight for her role as psychic detective Allison DuBois in TV series Medium because the character is a mother of three. The star refused to slim for the motherly role, insisting the request simply didn’t make sense.

I’m not usually one for the entertainment business’ gossip-styled news, but this one definitely caught my attention. Arquette deserves some praise. Good for you. It not only doesn’t make sense that she’s asked to lose weight for the role, it’s counterintuitive. I mean, is it just some “every actress on TV must be skinny” kind of mandate that the producers and networks insist on? Her looks and a little extra weight actually MAKE SENSE for the role she plays on Medium. It’s actually kinda refreshing to see a lead series actress who doesn’t look like a mannequin. The very reason she has a little extra weight is exactly the reason why her character needs such a touch. It’s the kind of role where I would almost expect them to ask the actress to put ON a little extra weight. Idiot producers…

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20th August 2006

The New Fall 2006 Shows In Order Of Liking

Here’s a listing of the Fall 2006 pilot episodes I’ve watched so far, in the order in which I’ve liked them. Favorites are on top to least favorites on bottom. I’ve not included the ones I’ve watched and reviewed that weren’t picked up. Each entry will link back to the post one which I put my review. The mid-season shows are marked with an *

  1. Studio 60 On The Sunset Strip (NBC)
  2. The Nine (ABC)
  3. Raines (NBC) *
  4. Jericho (CBS)
  5. Knights Of Prosperity (ABC)
  6. The Singles Table (NBC)
  7. Kidnapped (NBC)
  8. Shark (CBS)
  9. Justice (FOX)
  10. Heroes (NBC)
  11. Traveler (ABC) *
  12. The Class (CBS)
  13. Runaway (CW)
  14. Vanished (FOX)
  15. The Black Donnellys (NBC) *
  16. Friday Night Lights (NBC)

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20th August 2006

The 2006 Pilot Preview Part 4

Follow-up to part 1, part 2 & part 3, this is the fourth set of pilot episodes for the fall TV season that I’ve checked out (in order of viewing).

Raines (NBC): Los Angeles. Present day. Michael Raines, an eccentric but brilliant cop, solves murders in a very unusual way – he turns the victims into his partners. These visions are figments of Raines’ imagination, and he knows it, but when he can’t make the dead disappear, he works with them to find the killer. Through his discussions, along with the evidence, Raines’ image of the victim changes until he has a clear picture of what really happened. Only when the case is closed do the visions end. Other detectives question Raines’ sanity, and occasionally so does he. However, as long as his unique methods are helping catch criminals, Raines imagines he’ll be just fine.

Here’s one of the surprises that happen each season - a show that I love that was under my RADAR and came out of nowhere. Here is one such example. The bad news is that this is a mid-season show, so you won’t be able to catch it until the end of the year or so. The good news is that I loved this pilot. Talented writer/producers Graham Yost and Frank Darabont bring some excellent production and slick, fun writing. Jeff Goldblum does an excellent job at making the unique character work. There’s a moment or two that are a bit to expositional, but otherwise it’s a pilot I absolutely loved. There are elements from a great number of other excellent shows to be found in this one, such as Monk, Medium and I suppose even Veronica Mars (in more of a style sense than much any other). The nice twist on this one is that Goldblum’s character isn’t actually seeing dead people like Medium does, but is actually just imagining them, and knows it. It’s cool to watch the person he sees change as he learns more about them, filling in the gaps. And Goldblum’s sarcastic nature lends itself well to dealing with such things. Plus, the show likes to undercut some of the most stereotypical aspects of the narrative, typically with the character’s slightly dark and off-center sense of humor. High marks also go to the selection of temp score, from Being John Malkovich to Basic Instinct, it helps the texture of the show work. Wonder who’ll get the stylistic challenge of doing the final music for the series. Read the rest of this entry »

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18th August 2006

Wi Fi Bunny Freaks Me And Family Out

The Inquirer - Buying a white plastic robotic rabbit that connects to the Internet via Wi Fi has probably got to rank among my more unusual ideas, but these are the occupational hazards of surfing the web after one too many to drink.

Man, that’s way too funny. Or should I say “way too bunny” (hardy har har)

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18th August 2006

Jet Beetle

Jet Beetle - This is a my street-legal jet car on full afterburner. The car has two engines: the production gasoline engine in the front driving the front wheels and the jet engine in the back. The idea is that you drive around legally on the gasoline engine and when you want to have some fun, you spin up the jet and get on the burner (you can start the jet while driving along on the gasoline engine). The car was built because I wanted the wildest street-legal ride possible. With this project, I was able to use some stuff I learned while getting my fancy engineering degree (I have a PhD in Mechanical Engineering from Stanford University) to design a street-legal jet car without the distraction of how other people have done it in the past - because no one has. I don’t know how fast the car will go and probably never will. The car was built to thrill me, not kill me. That doesn’t stop me from the occasional blast on the highway though.

That’s just too cool, and too funny. The pics of the thing with the afterburner lit are classic. The write-up is quite funny, too. And hey, that scooter would even be cool (or, uh, hot).

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16th August 2006

Little Miss Sunshine

One of the best pictures of the year. It is definitely the product of the “independent film” mindset, both funny and poignant. And, like many independent character-based films, it is somewhat twisted and unrestrained in its use of language and adult themes - though in this case it does so in a rather charming way. This is certainly one of the funniest films of the year, and it plays on plenty of subversive levels of humor. It’s a great counter piece to the other brilliantly funny piece of independent film production from the year - Thank You For Smoking (also one of the best pictures of the year). One of the most remarkable things about this movie is how incredibly simple the plot itself is. This movie is purely about character rather than plot. The story is there simply to provide a journey for the characters.

And the characters are what make this film. You’ve got a motivational speaker who is obsessed with winning, and despite his best efforts can’t manage to be a winner himself. Greg Kinnear is an excellent choice for such a role. Then there’s his father who’s been kicked out of his retirement community for sniffing drugs, who also happens to be a sexually obsessed fountain of obscenities - the veritable “dirty old man.” Alan Arkin comes through with an unrestrained and unapologetic performance as “grandpa.” Next we have Frank, a world-class “Proust scholar” who has failed at a great many things of late, including most recently a suicide attempt. Steve Carrell is absolutely brilliant in the role, getting to show some wonderful dramatic depth in addition to his well known comedic skills. Then there’s Dwayne, a Friedrich Nietzsche obsessed teen who has taken a vow of silence for the better part of a year, with dreams of becoming a fighter pilot. Paul Dano gives the bizarro role a spot-on awkward teenage quality. He and Carrell’s Uncle Frank character are perfect companions. Then there’s Little Miss Sunshine herself, Olive. Olive is obsessed with the Miss America pageant, constantly watching recordings of the event and mimicking the contestants. She is the driving character of the plot for the film, as the family is trying to get her to the Little Miss Sunshine pageant competition hundreds of miles away at the last minute, thanks to her runner-up position in the regional qualifier, after the winner is disqualified. Olive is a charming, but not conventionally beautiful little girl. Abigail Breslin, little sister to the talented Spencer Breslin (if you want to see his talents, see his episode of the brilliant series Wonderfalls), is absolutely amazing as Olive. She gets what is easily one of the funniest scenes in any movie this year, and she is perfectly charming from start to finish. She’s definitely got a future in acting. Lastly, there’s Sheryl, the mother of the family caught in the crossfire from all these eccentrics around here. She’s the only one of them that’s fairly normal. Toni Collette, who’s a phenomenally talented actress (see the wonderful independent film Clockwatchers for proof) is easily up to the challenge of keeping up with the rest of the cast and their offbeat characters. She helps ground much of the film a little more in reality.

The production of the film is simple but perfectly solid. With much of the movie taking place in or around their 60’s VW bus, which could basically be considered seventh core character of the film, there is plenty of “road trip” kinds of techniques employed for filming the story. Actually, some of the funniest stuff in the film has to do with the VW bus. It is as much of a notable character for this film as the DeLorean was in Back To The Future. On top of all these wonderful elements is composer Mychael Danna’s perfect (independent movie style) score. Danna is no stranger to offbeat character-driven independent films, and he turns in a wonderfully charming and fun score. While this film may not be for the easily offended, it’s definitely one of my favorites of the year.

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16th August 2006

World Trade Center

At the beginning of the year, there was a fair amount of controversy brewing about 2 films about September 11th that were to be released this year. I had my doubts that either of them could work, given how soon it still is after the events, but I kept an open mind. After seeing United 93, which is easily one of the best pictures of the year, I really started to doubt that Oliver Stone could get lightning to strike a second time. Yet here is a film that pulls it off. This movie is extremely unlike United 93. The production style is much more graceful and artistic, in direct contrast to United 93’s raw, fly-on-the-wall approach. This film is truly about 2 people, not the events of the day (like United 93). There is actually an extreme minimum in this film having to do with the terrorist attacks themselves. That kind of material passed by remarkably quick at the onset of the movie. This is genuinely about the two trapped PAPD officers, set against the backdrop of 9/11. Oliver Stone shows amazing restraint, particular given that fact that he’s Oliver Stone. There’s no political commentary in the film, no conspiracies, nothing radical or incendiary. This is completely unlike his previous films, and that’s a good thing for this story. At the core, this is a story of endurance, bravery and heroism in its simplest form. If you typically hate Oliver Stone movies (I know one of two said people - though I’m not one of them), this may be the exception that you’ll like.

Performances from the cast are pitch perfect. Nicolas Cage also shows quite a bit of restraint, playing a particularly low key character. Michael Pena plays his fellow survivor, and he really makes the performance work. The wives of the two men are cast with two excellent actresses. First is Maria Bello, a particular favorite actress of mine, who nails her role. Then there’s Maggie Gyllenhaal who gets a role that’s a bit more emotional and challenging, and she makes it work. It’s also great to see some of the smaller roles filled by some very talented cast members, such as Stephen Dorff and Frank Whaley playing key rescue personnel. I’m particularly a fan of Whaley, and was very happy when showed up on screen. He’s worked with Stone before (in The Doors and briefly in JFK), and he’s great here.

Like United 93, this is a very respectful film and one that was definitely worthy of the events to be made. In fact, it’s films like this and United 93 that I think NEED to be made to not only remind us of the personal impact of the events of that day, but to particularly show us the strength of the ordinary people caught in the middle of the unprecedented events. So, against all the odds, both United 93 and World Trade Center managed to hold their heads high and prove that there actually could be some well told stories based on the infamous moment in history, this soon after they happened. Bonus points go out to composer Craig Armstrong for a sublimely beautiful music score. The CD release plays out almost like a piece of modern classical music (not surprisingly released on the Sony Classical label). Like the movie itself, Armstrong’s score is nearly a direct opposite score from John Powell’s ominous and darkly beautiful score to United 93. This one underscores the tragedy not with an ominous nature, but with hope and beauty.

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16th August 2006

Pulse

Not a complete disaster, but not particularly good either. While the basic concept of this film may hold some merit, at least in an implausible yet interesting manner, the execution of the idea leaves a lot to be desired. I wanted very much to like this movie, because it stars the wonderful Kristen Bell (the eponymous star of Veronica Mars - the best series on TV). While this may not be as spectacular a disaster as Alyson Hannigan’s abysmal Date Movie, it’s still something of a disappointment. Of course, the highlight of the film is still Kristen Bell. Ian Somerhalder is a pretty talented actor, and he does a decent enough job here. The great Ron Rifkin gets a fair amount of OK material to work with as Bell’s therapist, a role for which the actor is well suited. The production is competent, but the easter European production location is felt throughout the film. I don’t recall which country it was shot in for budget reasons, but it feals rather foreign. As far as I could tell, the city it takes place in remains nameless, but it certainly doesn’t feel like an American city. Ultimately, where things fail is the script. What does make sense isn’t all too inspired, and much of it just doesn’t click or make sense. I’ve never seen the Japanese original, as I’m not much of a fan of the Japanese horror genre (unlike most of Hollywood, it seems), so I can’t make comparisons to it.

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16th August 2006

Talladega Nights: The Ballad Of Ricky Bobby

The folks who made Anchorman return with another installment of Will Ferrell playing a stupid but well-meaning character. I think this one works a bit better than Anchorman, particularly in the way it makes fun of certain cliche moments in films of the genre. Ferrell is fun and definitely fits the character well. John C. Reilly is a fantastically funny sidekick. Leslie Bibb and Amy Adams play the romantic interests well, with Leslie Bibb as a particularly funny groupie. Michael Clarke Duncan is a fun crew chief, using his childlike acting qualities to full effect. But it’s Gary Cole who really steals the show as Ricky Bobby’s estranged father. Cole has always been a very talented comedy actor, and he’s great in this one. Of course, the material they are making fun of (in a good natured way) lends itself to such parody quite easily, with plenty of hick humor to go around and lots of sports movie stereotypes to mess with. Certainly not a best picture contender, but definitely fun.

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16th August 2006

Voyager 1 - The First Man-Made Object To Go 100 AU’s

JPL - Voyager 1, already the most distant human-made object in the cosmos, reaches 100 astronomical units from the sun on Tuesday, August 15 at 5:13 p.m. Eastern time (2:13 p.m. Pacific time). That means the spacecraft, which launched nearly three decades ago, will be 100 times more distant from the sun than Earth is.

Good ol’ V’Ger is still out there learning, collecting all it’s data before it returns to transmit all that data to its creator…

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